Pratchaya Phinthong (Thailand, 1974)

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Selected Solo exhibitions include A solo project Bangkok CityCity Gallery, Empty Set, Para Site, No Patents on Ideas, Singapore Art Museum, The Heat of the Empty Forward, SCAI, Tokyo (2025) Today will take care of tomorrow, Barakat Contemporary (2024), Extended Release, Art Center University, Wang Thapra, Bangkok (2020); This page is intentionally left blank, Bangkok Citycity Gallery, Bangkok (2019); Pratchaya Phinthong, gb agency, Paris (2022, 2018, 2015, 2012, 2009, 2007); Who will guard the guards themselves?, Art and Culture Centre, Bangkok; A proposal to set CH4 5.75H20 on fire, Kiosk, Ghent;A piece that nobody needs, Lothringer13_halle, Münich; Broken Hill, Chisenhale Gallery, London (2013); Sleeping Sickness, Centre d’Art Contemporain, Rennes (2012); Give More Than You Take, GAMeC, Bergamo (2011), Centre d’Art Contemporain, Brétigny (2010)

and ‘Missing Objects’, Chula Art University, Bangkok (2005)

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Selected Group exhibitions include Thailand Biennale, Phuket, Sharjah Biennial 16, ‘2019’, Grazer Kunstverein (2025),
Hallucination, The Art Centre, Silpakorn University
‘Seing in the Dark, Busan Biennial, Busan (2024),
Echoed Tranquility, Jim Thompson Art Center, Chiang Mai (2023), Istanbul Biennial, Affaires étrangères. Foreign Affairs/ Negocios Estrangeiros, Paris Lisbonne; Vulnerable Beings, La Casa Encendida, Madrid (2022).

Staple, what's on your plate?, Hayy Jameel, Jeddah, Kingdom of Saudi Arabia (2021).
Global Resistance, Musée National d’Art Moderne, Paris; Chine Afrique, Musée National d’Art Moderne,Paris; My body hold its shape, Tai Kwun Contemporary, Hong Kong; Moderna Museet Collection, Stockholm; A Brave New World, Pinchuk Art Centre, Kiev; Seismic Movements, Dhaka Art Summit, Dhaka (2020).

Soft Power, SF MOMA, San Francisco; In situ from outside, National Museum, Bangkok; Currency, Nome gallery, Berlin (2019);
In Search of Southeast Asia through the M+ Collection, M+ Pavilion, Hong Kong; Art Summit, Dhaka; Kedem Kodem Kadima, Center for Contemporary,Tel Aviv (2018);

Floating Worlds, 14th Biennale, Lyon; Etre pierre, Musée Zadkine, Paris; Sunshower, National Art Center and Mori Art Museum, Tokyo; Art Encounters, Biennale of Contemporary Art,Timisoara; Manipulating The World, Moderna Museet,Stockholm; Soil and Stones, Souls and Songs, Jim Thompson Art Center, Bangkok & Para Site, Hong Kong (2017);

40th Anniversary, Ludwig Museum, Köln; 11th Gwangju Biennale, Gwangju; Roll Your Pain Away, New Museum of Contemporary Art, Chiang Maï (2016);
Under the Clouds, Serralves Museum, Porto; Time of Others, Museum of Contemporary Art, Tokyo; Gallery of Modern Art, National Museum of Art, Osaka; Singapore Art Museum; Queensland Art Gallery, Queensland (2015); Soleil Politique, Museion, Bolzano; Invisible Hand: Curating as Gesture, CAFAM Biennale, Central Academy of Fine Arts Museum, Beijing; Forms of Distancing Representative, Steirischer Herbst Festival, Graz (2014)

Materials, Money and Crisis, MUMOK,Vienna; I Know You, Irish Museum of Modern Art, Dublin (2013); dOCUMENTA 13, Kassel; The Ungovernables, New Museum Triennial, New York; Death & Life of Fiction, Taipei Biennial (2012);

Until it Makes Sense, Kadist Art Foundation, Paris; How to Work (More for) Less, Kunsthalle Basel (2011).
‘The Living Currency’, Museum of Modern Art,Warsaw and 6th Berlin Biennale for Contemporary Art, Berlin ,

Fax and Move on Asia’, Para/Site Art Space, Hong Kong (2010)
Some Rooms’, Osage Gallery, Hong Kong
‘Cinematic Panorama’, gb agency, Paris (2008)

Petites compositions entre amis, gb agency, Paris
‘Here and Now’, Foundation AARA, About Café, Bangkok ‘Do you Believe in Reality’,Taipei Biennial, Fine Arts Museum,Taiwan (2004)